The Wall Street Journal/US
Comedian Rode Wit and Outrageousness to Stardom
Nobody had ever seen anything quite like Phyllis Diller.
Ms. Diller, who died Monday at the age of 95, created her own brand of female comedy and performed it on an equal footing with male comics of national stature.
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Phillis Diller, in the 1960s.
“Honey, I know lots of women are funny,” she told the Baltimore Sun in 1964. “The only difference is they haven’t got my kind of guts. I send out for a bucket of guts every morning.”
Sporting outlandish wigs and a long cigarette holder, hiding her figure beneath multicolored muu-muus, Ms. Diller captivated audiences with self-deprecating and outrageous humor delivered with brass at breakneck speed. Her honking laugh could stop traffic.
But it was the jokes that most startled audiences —amounting to a direct assault on the idyllic American family that populated the airwaves in the 1950s and early 1960s.
Of her husband—“Fang”—“Fang is the cheapest man alive. On Christmas Eve, he puts the kids to bed, fires one shot and tells them Santa committed suicide.”
And, of her cooking: “I do dinner in three phases. Serve the food, clear the table, bury the dead.”
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Phyllis Diller and Bob Hope entertained U.S. troops.
Speakeasy: Her Wittiest Lines
A one-time ad-writer, she was more or less pushed on stage by her husband after he decided that she was funnier than anyone on TV. Ms. Diller became a perfectionist and guided her own career with iron determination. Like her mentor Bob Hope, she kept a filing cabinet full of gags – 50,000 of them.
Interviewers found out she considered herself a gourmet cook, that she kept an immaculate house, dressed tastefully, had successfully raised five children, and that she considered herself quite attractive.
When her looks began to fade, she had extensive plastic surgery and, inevitably, made it part of her act: “I’ve had so much work done, no two parts of my body are the same age.”
As a young woman, she insisted, Phyllis Driver had wanted a family and had no thoughts about performing anything but a piano recital. Her father was an insurance agent in Lima, Ohio, and Ms. Diller studied music at a Chicago conservatory. She later attended what was then Bluffton College in Ohio and was married in her senior year to Sherwood Diller. They moved to San Francisco.
Ms. Diller soon had five children and stayed home to care for them while Mr. Diller held a series of jobs, none for long.
With her family in financial straits,Ms. Diller found work as a society columnist for a local newspaper, then as an ad-copy writer and as a writer at radio station KROW in Oakland. She recalled the the staff there included Art Linkletter and Rod McKuen. She also dabbled as a comic by performing for charity groups. She said she gained confidence after reading a self-help book called “The Magic of Believing.”
At her husband’s urging, in 1955 Ms. Diller first took the stage at The Purple Onion, a small San Francisco nightclub.
Her act was an immediate hit and the booking stretched to over a year. Soon she was performing in clubs across the nation. The New Yorker in 1958 called her “a girl with a song in her heart and an addle in her pate.”
The Fang character in her jokes was her most autobiographical creation, and the couple divorced in the mid-1960s.
During the 1960s, Ms. Diller was as popular as any comedian in the country and appeared often on TV.
She made several movies opposite Bob Hope, who featured her in his television specials and took her on a USO tour in Vietnam. Mr. Hope once called Ms. DIller “the Liz Taylor of ‘The Twilight Zone.’”
Ms. Diller later incorporated the piano into her act and performed with more than 100 orchestras.
Announced as “Dame Illya Dillya,” she wore a billowing outfit with a white fur and made a show of removing long gloves while seated at the piano. After a lengthy bout of preliminary clowning with the concert master, Ms. Diller would surprise audiences with a competent rendition of a Beethoven piano concerto.
She kept up a punishing tour pace for decades before retiring in 2002.
But she kept performing into her 90s with recurring characters on soap operas and “Family Guy.”
“You know you’re getting old when your blood type’s been discontinued,” she told The Wall Street Journal in 2005.